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【写真集・英語】Japan's Modern Divide　The Photographs of Hiroshi Hamaya and Kansuke Yamamoto ／ Judith Keller (編集), Amanda Maddox (編集)

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出版社：J Paul Getty Museum Pubns
編　集：Judith Keller , Amanda Maddox
初　版：2013年
ISBN：9781606061329
判　型：大型本・ハードカバー（ソフトカバー付き）
サイズ：25cm×29cm×2.8cm（横×縦×厚さ）
頁　数：224P
評　価：良い　　※（非常に良い・良い・並・可・悪い）の5段階評価中
状　態：ソフトカバーに保護ビニールがかけてあります。本体：ページ天に微細なシミ多数・くすみあり。その他概ね良好です。
【内　容】
This title offers an illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. 0Exhibition: Getty Museum, Los Angeles, USA (26.3.-25.8.2013). --

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